Books I Highly Recommend
Visualizing Law in the Age of the Digital Baroque
Arabesques & Entanglements
By Richard K Sherwin
Published June 17th 2011 by Routledge – 270 pages
Visualizing Law in the Age of the Digital Baroque explores the profound impact that visual digital technologies are having on the practice and theory of law. Today, lawyers, judges, and lay jurors face a vast array of visual evidence and visual argument. From videos documenting crimes and accidents to computer displays of their digital simulation, increasingly, the search for fact-based justice inside the courtroom is becoming an offshoot of visual meaning making. But when law migrates to the screen it lives there as other images do, motivating belief and judgment on the basis of visual delight and unconscious fantasies and desires as well as actualities. Law as image also shares broader cultural anxieties concerning not only the truth of the image but also the mimetic capacity itself, the human ability to represent reality. What is real, and what is simulation? This is the hallmark of the baroque, when dreams fold into dreams, like immersion in a seemingly endless matrix of digital appearances. When fact-based justice recedes, laws proliferate within a field of uncertainty. Left unchecked, this condition of ontological and ethical uneasiness threatens the legitimacy of law’s claim to power. Visualizing Law in the Age of the Digital Baroque offers a jurisprudential paradigm that is equal to the challenge that current cultural conditions present.
1.Introduction: Law’s oscillation between power and meaning;
2. Law’s Screen Life: Visualizing law in practice;
3. Images Run Riot: Law on the landscape of the neo-baroque;
4. Theorizing the Visual Sublime: Law’s legitimation reconsidered;
5. The Digital Challenge: Command and control culture and the ethical sublime;
6. Conclusion: Visualizing Law as Integral Rhetoric – Harmonizing the ethical and the aesthetic
Richard K. Sherwin is Professor of Law and Director of the Visual Persuasion Project at New York Law School
Sherwin is perhaps the world’s leading scholar of the visual life of law, and this masterful book advances a new perspective on the cultural life of law, what Sherwinn calls a „visual jurisprudence.“ As Sherwin sees it, the very legitimacy of law in our era depends on the cultivation of visual literacy and an appreciation of the ethical and political dimensions of our visual experiences. Theoretically sohphisticated and lucidly argued this book is an example of interdisciplinary legal scholarship at its best.
Austin Sarat, William Nelson Cromwell Professor of Jurisprudence, and Political Science, Amherst College.
Richard Sherwin’s Visualizing Law in the Age of the Digital Baroque is an outstanding piece of thinking and writing. Sherwin is an apt historian of ideas, ranging authoritatively from the Bible to video games, from the Renaissance to Enlightenment philosophers, from the baroque to the ‚post-Foucauldian“ epoch in which we now live. His project is spectacuarly successful. He develops a thesis that begins with law but utimately analyzes America Society and culture in the 21st century. This is a wise as well as informed book that will find a wide audience among thos interested in cultural studies, law, and visual culture.
Richard Schechner, University Professor, Professor of Performance Studies, NYU
LAW & POETRY
Prof. Dr. Bernhard Großfeld
Prof. Dr. Edward J. Eberle.
Ein wirklich interessanter Beitrag von Prof. Dr. Großfeld, der mit Prof. Eberle von der Roger Williams University School of Law einen lesenswerten Beitrag zu LAW & POETRY geschrieben hat.
Der Beitrag stammt aus dem Jahre 2005 (March) und kann derzeit auf den Seiten http://lsr.nellco.org/rwu_fp/3/ heruntergeladen werden.
Zum Inhalt des Aufsatzes findet man dort folgenden Abstract:
„In this article, Professor Edward Eberle and Professor Bernhard Grossfeld contend that law can better be understood by looking at it in a more complete way, including its interaction with culture, environment and other phenomena. Here we examine the intriguing relationship between law and poetry.
Our investigation discloses that law and poetry share important relations and exert mutual influence on each other. For example, law and poetry share language as their working medium; language shapes the chaos of experience in law and poetry; and law and poetry are products of human ingenuity and imagination.
Even more interesting than the interrelationship between the two is their mutual influence on each other. For example, law and poetry both reflect the culture they are situated in and help constitute that culture. Study of poetry reveals important insight into the structure and use of language, which can uncover discreet, even immanent, patterns in the law.
These observations lead to our point: since law reflects culture and can also help infuse culture, we need a deeper understanding of the forces at work that comprise a culture so that we can better understand the operation of law. Examination of the underside of law is necessary if we are to obtain greater insight into the culture on which law operates. Our study of law and poetry is a contribution to this end.
Quelle des Zitats: http://lsr.nellco.org/rwu_fp/3
Date of Authorship for this Version
Eberle, Edward J. and Grossfeld, Bernhard, „Law and Poetry“ (2005). Roger Williams University School of Law Faculty Papers. Paper 3.